Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.

An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a ‘live in the now’ mentality, Cristina’s second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina’s journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love… what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.

William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioral changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.

Mexican horror film about an American painter named Mary (Cristina Ferrare) who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man (David Young) in her life as well as a mysterious man (John Carradine) in black who appears to be doing the same type of murders.

In recent days, Rome has been the scene of an unusual event: when it rains, the manholes exhale a dense steam of unknown origin and composition. No one knows that those who breathe in the mysterious substance will have to deal with what they repress, their darkest instincts, their anger. Not even the Morel family. Since Cristina’s death in an accident a year earlier, the love of her husband Thomas and their son Enrico has given way to a forced cohabitation, while the youngest of the family, Barbara, would only like to see them united again as they were before. The accident could have been avoided, both Thomas and Enrico know it. Instead of taking responsibility and moving on, they stopped talking to each other. Now they are two souls full of rage, trapped in a Rome that resembles them: dark, nervous, on the verge of exploding.

Cristina, a journalist of Mexican origin, travels to her ancestral home in Veracruz to investigate a story of sorcery and healing. There, she is kidnapped by a group of locals who claim she’s the devil incarnated.

Mexican immigrant and single mother Flor Moreno finds housekeeping work with Deborah and John Clasky, a well-off couple with two children of their own. When Flor admits she can’t handle the schedule because of her daughter, Cristina, Deborah decides they should move into the Clasky home. Cultures clash and tensions run high as Flor and the Claskys struggle to share space while raising their children on their own, and very different, terms.

A sequel movie to The Diary (1999). The movie succeed to replicate the 30’s, between the two world war, between Paris and London. Anna (Lila Baumann) arranges Dr. Cristina Inger, a female physician for her paralyzed husband’s treatment and she joins the shows at nightclubs as a stripteaser and prostitute to pay her. Husband is cured but fell in love with Dr. Cristina.

New area deputy Jack Gales arrives on the island to find that a girl at the local Catholic girls school has been found dead. After investigating, he finds that students have been disappearing regularly for five years, about the time Mother Bernadette passed away. Gales and the Mother Superior’s secretary Cristina work together to try and unravel the mystery.